I wrote a post about my experience with Push and Pull and its relationship to Stein, Whitehead, Olson and object-theory. Read it here.

ending in unnavigable mud – clean white sand, grayish black
mudslides and marsh-slides, sea marks are landmarks, trees
washed south from novia scotia. a double negative, or at least
an inverted syntax. specifically, the word ‘wrack’
is stranded seaweed. everything afloat not owned, jettisoned.
a skiff in the nineteen-sixties, sketchy whites drawn up on a flank.
in etymology, a wild oat or plum, preserved in brine.
use a noun as a verb, like shakespeare: skiff as verb, brown as verb,
white as verb, milk as verb, skeg. “white-ash breeze,” with two
syllables, bo and ah. o, see how she schoons, a schooner let her be!
into sandbanks, or worse, acts of god slam through guzzles and
into gutters. mosquitoes hatch in stagnant ditches, bent grass or
something sinister. sods and brush, kayaks and canoes. gleaming
spits or the marks left by a clam-rake, a genius, so to speak,
from sauntering.